User blog:Don25/In defense of Terry McGurrin.

In places they keep saying that he is a mediocre, absurd or directly bad writer.

I think he is not a bad writer, simply that Terry did not evaluate the consequences of his scripts, he was one of the ones who wrote the unfortunate ideas (they are still very hated) of the reset button or the balloons with very loved characters towards the sun, and since then not to stop raining an atrocious and brutal hatred about him.

I am the first one who hates those ideas, they seem to me nothing original, they are insensitive and very vague, and I will always feel rejection for them.

Now, I am one of the people who, although I point out the mistakes, I also applaud the successes, and Terry has achieved successes.

He had a lot of narrative sensibility with the severe phobia of Shawn and his relationship with Jasmine (the best of TDPI), with the Jay and Mickey disorders, the intimate and emotional problems of Crimson and Ennui, as well as the other relationships of family, friends and couples in RR, magnificently carried and not sufficiently recognized.

He learned from his mistakes and adapted better to the positive needs that the public asked for, and that would not be achieved by a bad writer.

The mistakes he made, are there and will never be erased, but he certainly learned from them exponentially, and I appreciate it and value it.

My confidence in him is complete and I think that those who have doubts, give him a vote of confidence, because he has earned it.

Even the best writers, both in Hollywood and in other sectors, I could do terrible writings.

But the important thing about mistakes is to rectify and improve.

Thank you for reading.